All posts filed under: Zachęta – National Gallery of Art in Warsaw

Wojciech Zamecznik, Photo-Graphics

Briefly Noted Warsaw, Zachęta – Natonal Galery of Art Wojciech Zamecznik, Photo-Graphics Photography and film combine the features of the biological and the technological eye, and perhaps thanks to that they are able to merge two models of knowledge–the optical, which is deemed passive, with the participatory one. It could be asserted that for Wojciech Zamecznik, photography and film were ways of being in the world and the tools for changing it. Therefore, that which supports the hegemony of seeing–photography, perceived as the “witness” or “trace”–becomes a tool for its deconstruction or gradual modification. Karolina Ziębińska-Lewandowska, The Power of Seeing /’

I’ve been here; I hope the same for you, Henryk Tomaszewski, Warsaw

I do not have patience to admire beauty in itself–skilful eye or hand. I prefer failure to mastered perfection… I am not interested in showing-off accomplished forms anymore. I enjoy, instead, playing with a language I do not know yet.  Henryk Tomaszewski, editor Agnieszka Szewczyk, translation Kinga Kowalczyk I have recently visited Zachęta – National Gallery of Art in Warsaw where Henryk Tomaszewski’s graphic work is on show till 10th June. The exhibition and the work of the leader of the Polish Poster School was a revelation and a fortunate coincidence. In this post I used some of the photographs I had shot in the gallery, fragments of the exhibition catalogue, Steven Heller’s article for the New York Times (2005) and one of the episodes of the Polish Film Chronicles (1978).   Even when he made a poster to advertise another artist’s exhibition, Mr. Tomaszewski interpreted the content. For example, to announce a 1959 show of Henry Moore’s sculptures, he created a veritable sculpture garden from the letters of the artist’s name and placed Moore’s “Mother and Child” on a pedestal …