All posts filed under: Quotes

H. Craig Hanna, a retrospective at the MNHA Luxembourg 

Briefly Noted H. Craig Hanna at the MNHA Luxembourg   …And then you look at a Rembrandt, it’s just… You see where you have to go… Miles and miles of work ahead of you… There are other aspects of making a great painting than just the skill involved in trying to be an old master. If you see a technique before the painting, it is a problem. … How could my stuff look different? … I finally discovered plexiglass and I started to paint with ink. It changed everything for me. Underneath this chaotic ink painting that I do, there is a knowledge of a figure… Years of drawing… I have this visual sensitivity… Certain colors together will produce this incredible emotion. H. Craig Hanna Inside the Ink-the life and art of H. Craig Hanna, an audiovisual essay by Willy Crank 

DESIGN CHANGES

Existing political, economical, ecological and even social structures are widely questioned. … As a consequence design can no longer only be defined by just technical performance, aesthetics, or creativity. … Dennis Elbers, London Calling, Dee, Issue 3, 2014 It is still quite rare to see a design exhibition in a museum. But thanks to Dennis Elbers and Sven Ehmann’s initiative, and the sensitive approach to design of Nadine Clemens, the president of Design Friends Luxembourg, it is now possible to see Resolute–Design Changes exhibition at the Casino Luxembourg–Forum d’art contemporain. The projects presented in Resolute and Postscript Luxembourg give us insight into how socially responsible designers approach social problems and how they try to solve them on a bigger scale. What’s interesting is that these designers always work in, with and for a community. Their work is no longer just about staging provocations; it is about involvement and finding solution. Design for Social Innovation applies the abilities of talented individuals to collective creativity and to the transformation of complex systems at great scale. In this new role, the designer’s practice takes place not in private studio but …

The Maker Movement

Everything made now is either a replica or a variant of something made a little time ago and so back without break on to the first morning of human time. Georg Kubler, The Shape of Time I have recently seen, long expected, documentary from Mu-Ming Tsai MAKER and it inspired me to have a closer look at the maker movement. I was wondering how and why they became so popular in the US and what are the opinions about the movement outside the makers circle. In this post I gathered quotes from the Form Design Magazine based in Frankfurt, The New Yorker Magazine and MAKER documentary. I also felt Esther Pasztory’s Thinking with Things: Toward a New Vision of Art would give a dipper understanding of the phenomenon. I see the maker movement as a gathering of creative and independent people in action. The makers connect to the physical world around them. They look for self-respect and the possibility to decide for themselves. The makers are not consumers. They are ordinary people who, with some powerful tools at hand, …

Weingart

Typography is not only for reading and must not be a pain. Typography can be a game and a lot of fun. At the beginning of September I went to see Weingart Typografie at the Museum of Design in Zurich. I spent a couple of hours there looking at his work and the work made by his students. And, while I was sketching and taking notes, all of a sudden, Weingart entered the exhibition room and I said hello and he looked at me and asked me if he had taught me… On my way out I bought a copy of 30 Years of Swiss Typographic Discourse  in the Typogrfische Monatsblätter: TM RSI SGM 1960-90 published by Lars Müller Publishers. Typogrfische Monatsblätter was a typographic journal that became a discussion platform for professionals in the field of typesetting and printing. In “Typografie ist eine Kunst für sich” from 1973, Tschichold called typographical game playing a hybrid decadence, stressing that a good typographer, unlike the self-aggrandising graphic designer, never actually feels free, he does not play, but rather follows the considerations of his reason. 30 …

[hlysnan], it is all about listening

[hlysnan] in old English means to listen with intention and attention. The exhibition and the publication titled [hlysnan] The Notion and Politics of Listening prepared by the curators Berit Fischer and Kevin Muhlen for the Casino Luxembourg – Forum d’art contemporain presents sounds that inspire to reflect on spatial and sociopolitical relations. The selection of recordings presented in the Casino carries meaningful messages that examine usually unexplored territories, like the impact of drone surveillance on civil communities in FATA, the voice as a tool to gain position in society, historical speeches as a source of recreation of history, the concept of mimesis as resistance, etc. As for the publication that accompanies the exhibition, it is a conceptual piece that records some aspects of work made by sound artists who take part in the [hlysnan] project. The book contains, among others, a very interesting essay by Peter Cusack who is a ‘sonic journalist’ and records sounds in dangerous places like Chernobyl. Anther essay worth mentioning is a piece about the linguistic diversity under threat of disappearing by John Wynne. …

NEVER FOR MONEY ALWAYS FOR LOVE and Bruce Duckworth’s lecture at Mudam Luxembourg, CONSUMPTION at the V&A

We’re culture that is always looking for that other message, always looking for that new arrangement. Cloude Levi Strauss The Strange Mind The last couple of weeks I spent on reading about brands and branding, about material culture and self-transformation. I have also visited NEVER FOR MONEY ALWAYS FOR LOVE exhibition and had a chance to listen to Bruce Duckworth’s lecture on packaging design. The lecture inspired me to go back to a series of interviews from Brand Thinking by Debbie Millman and Chief Culture Officer by Grant McCracken. I also went to London to see CONSUMPTION at the V&A. And, the whole thing in this post is an interesting mix of different aspects of our material culture. NEVER FOR MONEY ALWAYS FOR LOVE Design has successfully established itself-so much so that it has become an and in itself, something more than just a tool to boost sales; rather, it creates “meaning” and becomes the actual purpose of buying. … Good designers must be part-sociologist or “social seismographers”: they must be in close contact with the needs, …